Two languages. One little world.
Plan English, Spanish, or bilingual children’s books. Keep family names, rhythm, and readable page layouts at the center of the translation.
The words your family uses.
Choose English, Spanish, or both in the book planner. The bilingual production model keeps English and Spanish text together on every page so neither language disappears during layout or export.
Nicknames, family titles, and sayings can live in the private collection. Tell the studio whether Grandma is Abuela, Yaya, Nana, or a name only your family uses. We preserve that choice rather than silently translating it.
Translate the moment, then review the page.
A warm English line can become awkward when translated word for word. Bilingual review should preserve meaning, rhythm, and reading age, then check every line in both languages. Dialect and family preferences belong in that review.
Two languages need intentional space. We design the complete book layout before final artwork, check type at physical size, and avoid shrinking the text just to fit a second language. The pilot requires an explicit language review before an edition can be approved.
Try a little moment.
“Mila gave the little boat a gentle push.”
“Mila empujó el barquito con suavidad.”
A finished bilingual edition gives each language its own readable paragraph. This is a short illustration of the planned format; the public voyage sample is currently in English.
More languages, with care.
English and Spanish are our first supported planning and production fields. Additional languages, scripts, fonts, and right-to-left reading need their own layout and editorial checks before we offer them.
A little idea can become a very personal book.
Tell your story →